comic books

Thought behind the thought:

In a day and age where television channels could be counted, on the fingers of one hand, comics books were the single most form of entertainment to young minds in the 70's and 80's. Millions of children who grew up back then in India have fond memories attached to these comics. Mandrake the magician, Phantom the ghost who walks, Flash Gordon and Bahadur (Indrajal Comics) transported every child into a fantasy world full of drama, action, wonder and discovery. Simple, entertaining, affordable and knowledge based material was what Amar Chitra Katha and Tinkle provided the average Indian child. Comics like Amar Chitra Katha made mythology seem so exciting and enjoyable. History books could never compete with the charm that Amar Chitra Katha offered. Tinkle bought humour, trivia, general knowledge and quizzes to every child that eagerly waited for it to be delivered monthly. I happened to find a very different looking bound volume of Tinkle recently and bought it for my kids. Apparently Supandi and Shikari Shambhu still hold the same magic, as I distinctly heard my daughter laugh out loud as she read it.

Amar Chitra Katha First Issue no:11

Krishna Illustrated by Ram Waeerkar

 Amar Chitra Katha's unique colour illustrations

Cover of first Issue of Tinkle December 1980

Anant Pai 

17th September 1929 – 24th  February 2011

About the Art:

Comic books and Anant Pai, or fondly known as Uncle Pai, are synonyms in India. In February 1967 in a quiz contest aired on Doordarshan (official Indian Channel) children were able to answer difficult questions in Greek and Roman Mythology but failed to answer basic questions like "In the Ramayana, who was Rama's mother?

Deeply shocked and pained by this Anant Pai, who then was a junior executive in The Times of India books division, left his job and undertook the work of Amar Chitra Katha. He assumed the position of writer, editor and publisher. The series went on to become a publishing milestone for the Indian comic book scene, selling over 86 million copies of about 440 titles.

Writers like Kamala Chandrakant, Margie Sastry, Subba Rao, Debrani Mitra and C.R Sharma joined the creative team of Amar Chitra Katha. The illustrators attached to ACK were Ram Waeerkar, who illustrated the very first issue of Amar Chitra Katha, Krishna. Some of the other eminent names are Dilip Kadam, C. M. Vitankar,Sanjeev Waeerkar, Souren Roy, C.D Rane, Ashok Dongre, V.B. Halbe, Jeffrey Fowler, Pratap Mullick and Yusuf Lien aka Yusuf Bangalorewala.

The first issue of Tinkle was launched in April 1980. As of today 622 issues have been printed. The whole interactive format of the magazine was what held its audiences. Children wrote directly to Uncle Pai! He responded to their letters. Drawings were made, stories were written and they could actually be printed in the magazine! Former Prime Minister of India, Atal Bihari Vajpayee was one of the fans of Tinkle due to its educational and entertainment format.

Credits:

http://en.wikipedia.org/wiki/Anant_Pai

http://en.wikipedia.org/wiki/Amar_Chitra_Katha

http://en.wikipedia.org/wiki/Tinkle

http://en.wikipedia.org/wiki/Anant_Pai#mediaviewer/File:Uncle_anant_pai.jpg

http://chaitanya-atman.blogspot.in/2011/02/father-of-indian-comics-anant-pai.html

http://bhavinpgala.blogspot.in/

http://www.indiancomiccovers.com/2011/06/tinkle-no1_04.html

http://www.silkqin.com/13pers/ack/ack011.jpg

hands

Thought behind the thought:

We communicate so much with our hands. In fact we have even come up with an entire sign language which people use to communicate effectively with the hearing impaired. A lot of times when conversation is of an engaging kind these hands just start their magic to emphasize everything that's being said. Yet in a contemplative frame of mind they join in prayer and seem to draw energy through them.Hands play such an important role in non verbal communication! In fact, after the eyes, which are probably the most effective medium of communicating emotions and intentions, it is the hands that convey a lot of what is not said verbally, to the other person. The movements of the hand, the way they are held, even the fingers moving in a certain way, all combine to communicate the thoughts of person without speaking a single word.

Bibhatsa rasa  

Shanta rasa     

Raudra rasa

  

  Shringar rasa   

 Adbhuta rasa   

                                                                   

Bhayanak rasa

  Hasya rasa 

     

  Karuna rasa   

                                                                        Veer rasa

https://www.youtube.com/watch?v=4vlkSv6NoNc

About the Art

Indian classical dance uses of hands to explore their full potential as visual communicators. Hast-mudras (Hand gestures) form a language in their own right while performing 'Abhinaya'(expressive technique).They help the dancer to express almost anything and everything. Natya Shastra emphasises the importance of hand gestures in the following quotation :

"Yato hastastato drishti"..."Where the hand is, the eyes follow"

"Yato drishtistato manaha"..."Where the eyes go, the mind follows"

"Yato manahastato bhava"..."Where the mind is, there is the expression"

"Yato bhavastato rasa"..."Where there is expression, there is mood/flavour (i.e., appreciation of art)

Shambhavi Dandekar, a prolific Kathak performer, versatile choreographer and a successful teacher expresses the nava-rasas , as seen in this series of photographs, with hand gestures and facial expressions that are the echoes of the mind!

Shambhavi took her lessons in Kathak from her mother, Guru Maneesha Sathe, a renowned Kathak exponent and her advanced training in Indian rhythm (laya-taal) under Pad. Taalyogi Pt. Suresh Talwalkar .She maintains the solid base of tradition, training (taleem), authenticity and dignity in her dance, while also trying out 'fusion' with a dash of new thought, technique and look. She hopes to spread her love for Kathak, to the new generation and connect the past and future through her scintillating performances and her passionate teaching.

source: http://www.kathakshambhavi.com/

for more videos, visit

https://www.youtube.com/watch?v=mxA40b3bVZk

https://www.youtube.com/watch?v=2NsyU9mPppE

source: http://en.wikipedia.org/wiki/List_of_mudras_(dance)

sand castles

Thought behind the quote:

As children the the most exciting part of going to a beach is making sandcastles. My daughter is very artistic and loves detail. So on one such trip she insisted on making the castle very elaborately. Sand is a difficult medium to work with, yet fun and versatile. That brought to my mind, making a life is like making sandcastles. You know you are building on the beach and after hours of toiling you leave everything you created to the will of the tides. You might return tomorrow and find nothing exists of what you so painstaking built. Fate is a factor that no one controls yet it exists in all our lives.

The Geeta says

कर्मण्येवाधिकारस्ते मा फलेषु कदाचन।

मा कर्मफलहेतुर्भूर्मा ते सङ्गोऽस्त्वकर्मणि॥ २-४७

Karmanye vadhikaraste Ma Phaleshu Kadachana,
Ma Karmaphalaheturbhurma Te Sangostvakarmani

What it means is that you have the right to work but not the right to reap the fruit of your efforts. We leave fate to decide the worth of our efforts yet we do not leave success only in the hands of fate without toiling.

About the Art:

Legend goes that Balram Das, who was a great devotee of Lord Jagannath built a chariot of sand for the Lord some seven hundred years ago. ever since this tradition is carried out and still prevalent in Orissa, an Indian state.Sudarshan Pattnaik is an internationally acclaimed artist who has crafted some sand marvels very painstakingly. He was awarded the Padma Shri by government of India in 2014. A self taught artist Sudarshan Pattnaik has won several competitions across the world. His themes are both social messages and creative wonders.

Credits:

http://en.wikipedia.org/wiki/Sudarsan_Pattnaik

http://beingindian.quora.com/Sudarshan-Pattnaik-The-master-of-sand-art
https://www.youtube.com/watch?v=fb_e9mJXWq8